A new acronym came to light several months into the intensive bombing of Gaza by Israel. Referred to as WCNSF, it signifies “Injured child with no living relatives”. This designation is found only in Gaza, per insights from medical experts such as paediatricians. Ordinarily, it is unusual for doctors to treat a minor who has been bereaved of their complete family. However, there has been no semblance of normality concerning the genocide in Gaza, where entire family lineages have been wiped out and the number of child amputees exceeds that of anywhere else in the world. Nothing normal in numerous doctors coming back from a devastated terrain with accounts of children being deliberately targeted.
Gaza remains an utter catastrophe. Essential medical supplies are not getting in those in need, and international watchdogs have stated that genocidal acts are ongoing. The Israeli government disputes these accusations, consistent with how it refutes everything it is accused of. Yet as young survivors are now suffering from the cold in improvised encampments, there is some ostensibly positive news: apparently nothing is going to stop the Eurovision from advancing its professed goal of “togetherness and cultural exchange.” Organizers will continue to extend a welcoming platform for Israel, although a number of European countries have now withdrawn in objection. And this, we are told, is what global togetherness manifests as.
The contest, notably banned Russia from taking part in 2022 due to the “serious conflict in Ukraine”. However, the situation in Gaza is completely different.
Disregard the reality that Israel was alleged to have used questionable voting tactics last year in what appears to have been an effort to manipulate Eurovision. Ignore the report that a toddler was allegedly fatally struck in Gaza just days ago. Forget the fact that attacks by settlers and forced displacement in the West Bank have increased dramatically. Disregard the condition that foreign reporters are still prevented from independent reporting in Gaza. All of this, apparently, should be permitted to obstruct of Eurovision’s much-touted ethos of unity.
Eurovision marks seven decades next year – roughly two times the average life expectancy of an individual in Gaza now. The broadcast will air, but it will likely never recapture the whimsical pleasure it was formerly known for. A competition that was originally built on peace has transformed into a cynical way to sanitize military aggression.
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Laura Gomez
Laura Gomez