For many people who has spent years renting, staring at the same landlord-approved magnolia walls and dreaming of adding some actual personality to their home, Pantone's new Colour of the Year might feel like a personal attack.
This year, the influential color company has chosen white as its annual hue.
In detail, the shade is called Cloud Dancer – a white described as "lofty" and "billowy" which "acts as a symbol of calming influence in a society rediscovering the worth of quiet reflection".
It represents the initial instance white has been chosen as the Colour of the Year, and it has sparked considerable debate.
As stated by Pantone, Cloud Dancer "is not just a colour, it's a mindset" and reflects a shared desire to slow down, reset and seek peace after years of sensory saturation.
But some detractors have dubbed the decision as "insensitive", suggesting that elevating minimalist and immaculate white spaces can seem disconnected from the more compact, lived-in homes most people inhabit.
Others propose that framing white as an ideal introduces subtext related to race, causing discomfort within ongoing political and cultural discussions about race and representation.
Designer Chris Beaumont says the backlash transcends surface appeal, arguing that white bears cultural undertones and is rarely a neutral choice.
"The color white sends a message," he says, influenced by a ten-year period of minimalist celebrity interiors – most famously Kim Kardashian's stripped-back home – that came to epitomize "wealth, order and removal from disorder".
He clarifies that white is "not about inspiration but being careful not to offend", with Cloud Dancer representing "restraint, moral minimalism and the concept that impartiality equals virtue".
Beaumont references the pandemic as a turning point in how people relate to their homes.
"Suddenly they transformed into our workspaces, refuges and sources of stability," he says, adding that in this context, pushing the Colour of the Year towards "more aesthetic barrenness seems rather tone-deaf".
Instead of offering calm, he argues white now risks intensifying "a feeling of desolation", particularly when paired with cool, clinical lighting.
Lara Clark, a UK-based design expert, agrees and says Cloud Dancer "doesn't really read as a colour" and is "completely rejected for me".
While it may work in extremely sparse or structural spaces, she says pure white shades seldom create calm in everyday living spaces.
"An image of tranquility in a professional photo can easily seem sterile at home," she explains.
"The color white may seem stark and demanding and you don't want your home to give a medical atmosphere."
She continues that "living spaces should elicit happiness and feel inviting and welcoming, and this shade feels quite removed from that."
The critic expresses a desire that homeowners will disregard the Pantone Colour of the Year in favour of "full-scale dopamine décor", using colour to express individuality.
A representative of the Pantone Colour Institute stated that people "have varied interpretations" to the meaning of the colour, but it was selected as it "works seamlessly with everything around it, offering a refined neutrality that feels intentional and versatile".
Beginning in 2000, Pantone's Colour of the Year has become a significant industry signal.
Previous selections have included the optimism of a vibrant pink-orange, the calm confidence of Classic Blue, the energy of a bold pink-red, and most recently softer, feeling-based tones like Peach Fuzz.
These colours extend beyond trend forecasts - they appear in clothing lines, cosmetic products, home decor, product wrapping and even consumer electronics, shaping how products are sold and how consumers imagine the coming year.
A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may appear simple, "this specific hue seems soft and refined rather than stark".
Contrary to those who say the colour is boring, Robinson sees it as "flexible" and says it's best used in "bedrooms and communal spaces where you want a serene, calming ambiance".
"Should you don't want to repaint, you can incorporate the colour into a room with pillows, blankets and drapes."
Design expert Another professional says although he was surprised that Pantone's pick this year was "essentially the lack of pigment", it is a bit like a basic flavor, in that "everyone likes it but it's not a top choice".
He can see its merits, explaining that white can work especially effectively as a backdrop for architectural details like wall molding and curved entries which is a "rising style in modern homes".
In apparel, white has long been a staple rather than a bold declaration and as a Colour of the Year it presents a different challenge to designers more familiar with bold shades.
Fashion consultant A styling expert says championing white feels "less about novelty and more about intention", reflecting a shift towards refinement after years of fad saturation.
"The color white compels designers and those who wear it alike to concentrate on shape, proportion and quality, there's really no room for error," she clarifies.
But she continues that it also carries assumptions around self-image, lifestyle and privilege, saying: "If white is treated as something only a narrow group of people can wear well, it becomes divisive."
She says the industry is already cognizant of the problematic connotations tied to lauding white as an aspirational standard, particularly amid ongoing discussions about representation and approachability, and the real test will be whether "companies engage with that complexity authentically, or simply glamorize the colour".
Style consultant Katie Malik admits the choice at first surprised her, given Pantone's track record of vibrant hues, but says it mirrors a authentic change and fits within a broader sentiment of "quiet luxury
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Laura Gomez
Laura Gomez
Laura Gomez